The Vallejo play
From the social myth to the cosmic emotion
DOI:
https://doi.org/10.18050/Rev.Espergesia.v2i5.1840Keywords:
Sociohistory, Integrality, Legacy, Social myth, Cosmic emotionAbstract
In a socio-historical approach that follows the vital, ideological and literary creation of Vallejo, from the Bohemian years of Trujillo to its European phase, this presentation aims to offer a comprehensive vision of his theatrical legacy, reassessing and declaring artistically full and effective his dramatic work - secondary or unsuccessful by some of his critics - his chronicles, aesthetic notes and themes about the theater, within his proposal that goes from the “social myth” to “the cosmic emotion”.
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